12/2/12

Republicans on Copyright


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A few years ago at the instigation of Paul Saint-Amour Ted Wesp and I spent a few months thinking and writing about copyright (results in Paul’s edited book, here). Ever since I’ve been convinced not only of the importance of copyright for thinking about the history of aesthetic production, but also of its vital contemporary impact on the entire economic life-world, ranging from patent law (and its implications for technological or medical developments) to the field of culture.

Crooked Timber points me to the Republican Study Committee’s new thinkpiece on copyright, which argues against it from a radical capitalist/libertarian perspective. I am not going to read the entire RSC piece, and neither are you, so here instead is the quote CT pulls out:

Copyright violates nearly every tenet of laissez faire capitalism. Under the current system of copyright, producers of content are entitled to a guaranteed, government instituted, government subsidized content-monopoly … It is a system implemented and regulated by the government, and backed up by laws that allow for massive damages for violations. These massive damages are not conventional tort law damages, but damages that are vastly disproportionate from the actual damage to the copyright producer. … we do know that our copyright paradigm has … Retarded the creation of a robust DJ/Remix industry … Hampering scientific inquiry … Stifling the creation of a public library … Free 12-year copyright term for all new works – subject to registration, and all existing works are renewed as of the passage of the reform legislation. If passed today this would mean that new works have a copyright until 2024.

Ummm. Amen?

11/11/12

The miracles of human creativity

One of the most amazing things about the digital age’s redistribution of the means of aesthetic production and distribution is that it reveals how much love and ambition remain connected to the work of making. Here you have, for free, a remaking of Star Wars entirely in ASCII. The hours it must have taken to do this are astonishing.

I dream of a world in which copyright, which has become a way for corporations to develop a stranglehold on innovation (and functions, as with Disney, in the manner of primitive accumulation), disappears in the wake of content freely produced for others out of this form of love, and the beauties that attend to it.

For that to happen we must, however, have leisure.