I saw Isle of Dogs the other day and have been absent-mindedly following the press. Some viewers try hard to find something scandalous in the film’s use of Japanese culture. Does Wes Anderson exoticize, Orientalize, dehumanize Japan? Can we possibly get upset about something here? I find that after watching puppets move on a screen for two hours in a row, my own movements seem scarcely human to me, like the products of a painstakingly assembled but still slightly awkward stop-motion sequence. Perhaps being able to wield the term “dehumanizing” as an accusation isn’t a guarantee of moral magic after all. I’ll have to ask Viktor Shklovsky, or he’s not at home, Bertholt Mei Brecht Lan-fang.